Day With(out) Art 2020: TRANSMISSIONS

Presented by Visual AIDS

In partnership with the Whitney Museum of American Art, The Studio Museum in Harlem, and The Museum of Contemporary Art (MOCA)

For Day With(out) Art 2020, Visual AIDS presented TRANSMISSIONS, a program of six new videos considering the impact of HIV and AIDS beyond the United States. The video program brings together artists working across the world: Jorge Bordello (Mexico), Gevi Dimitrakopoulou (Greece), Las Indetectables (Chile), George Stanley Nsamba (Uganda), Lucía Egaña Rojas (Chile/Spain), and Charan Singh (India/UK).

The program does not intend to give a comprehensive account of the global AIDS epidemic, but provides a platform for a diversity of voices from beyond the United States, offering insight into the divergent and overlapping experiences of people living with HIV around the world today. The six commissioned videos cover a broad range of subjects, such as the erasure of women living with HIV in South America, ineffective Western public health campaigns in India, and the realities of stigma and disclosure for young people in Uganda.

As the world continues to adapt to living with a new virus, COVID-19, these videos offer an opportunity to reflect on the resonances and differences between the two epidemics and their uneven distribution across geography, race, and gender.

As of December 1, TRANSMISSIONS is available to view online at visualaids.org/transmissions.

English, French, Greek, Japanese, Turkish, Spanish, and Polish subtitles are available.

TRANSMISSIONS premiered on November 30 at 6pm EST on a special online platform designed by artist Glen Fogel. The screening was followed by a panel discussion with the commissioned artists, moderated by Jih-Fei Cheng.

TRANSMISSIONS also screened in numerous locations around the world, both online and in-person. See here for a complete list of screening locations.

The online premiere of TRANSMISSIONS is presented in partnership with Whitney Museum of American Art, The Studio Museum in Harlem, and the The Museum of Contemporary Art (MOCA), and supported by Ackland Art Museum at UNC (Chapel Hill, NC), The Andy Warhol Museum (Pittsburgh, PA), Arts Research Center (Berkeley, CA), Athens Museum Of Queer Arts (Athens, Greece), Bureau of General Services—Queer Division (New York, NY), Casco Art Institute (Utrecht, Netherlands), Chicago Artists Coalition (Chicago, IL), The Corner at Whitman-Walker (Washington, DC), Dallas College - Eastfield Campus (Mesquite, TX), David Bethuel Jamieson Studio House and Archives at Walbridge (Washington, DC), Esker Foundation (Calgary, Canada), Florida Department of Health - Leon (Tallahassee, Florida), Freedman Gallery, Albright College (Reading, PA), Georgetown University Art Galleries (Washington, DC), The Grand Cinema (Tacoma, WA), Grey Art Gallery, New York University (New York, NY), Harvard Art Museums (Cambridge, MA), Institute of Contemporary Art at the University of Pennsylvania (Philadelphia, PA), Ithaca College Center for LGBT Education, Outreach & Services (Ithaca, NY), Kendall College of Art and Design and Ferris State University LGBTQ+ Resource Center (MI, United States), Leslie-Lohman Museum of Art (New York, NY), The LGBT Community Center (New York, NY), Light Work (Syracuse, NY), MAX Ottawa (Ottawa, Canada), Mead Art Museum (Amherst, MA), Moving Image Research Lab, McGill University (Montreal, QC, Canada), Museum of Arts and Design (New York, NY), Museum of Contemporary Art Chicago (Chicago, IL), Museum of Contemporary Art of Puerto Rico (San Juan, Puerto Rico), Museum of Contemporary Art San Diego (San Diego, CA), NYU Tisch School of the Arts (New York, NY), Pera Museum (Istanbul, Turkey), Power Plant Contemporary Art Gallery (Toronto, ON), Public Space One (Iowa City, IA), Queens Museum (Queens, NY), Queer Resource Center of The Claremont Colleges (Claremont, CA), RISD Museum (Providence, RI), Rockland County Pride Center (Nyack, NY), School of the Art Institute of Chicago Galleries (Chicago, IL), Schwules Museum Berlin (Berlin, Germany), SFMOMA's Open Space (San Francisco, CA), Smith College Museum of Art (Northampton, MA), Staedelschule (Frankfurt am Main, Germany), Stamp Gallery at the University of Maryland (College Park, MD), Tacoma Art Museum (Tacoma, WA), Texas Christian University (Fort Worth, TX), University Art Museum and Gender & Sexuality Studies Gender Studies at NMSU (Las Cruces, NM), University Galleries (Normal, IL), University Museums, Colgate University (Hamilton, NY), Utah Museum of Fine Arts (Salt Lake City, UT), Van Every/Smith Galleries at Davidson College (Davidson, NC), Victoria Arts Council (Victoria, BC), Video Pool Media Arts Centre (Winnipeg, Canada).

Please see here for a complete list of participating institutions.

Jorge Bordello, Ministry of Health

Ministry of Health employs the aesthetics of horror movies and silent film to evoke the adverse effects of pharmaceuticals on four men living with HIV in the city of Tlaxcala, Mexico.

Gevi Dimitrakopoulou, This is Right; Zak, Life and After

This is Right: Zak, Life and After is a portrait of Zak Kostopoulos, a well-known queer AIDS activist who was publicly lynched to death in Athens in 2018. Zak's chosen family and community highlight Zak's activist life and the response that his murder has galvanized.

Las Indetectables, Me Cuido

Me Cuido (I take care of myself/I’m careful) questions the relationship between colonial paradigms of health, religious guilt, and the stigmatization of people living with HIV in the context of Chile’s capitalist and neoliberal regime.

Lucia Egaña Rojas, Female Disappearance Syndrome

Lucia Egaña Rojas challenges gendered representations of HIV and AIDS, investigating what Lina Meruane has termed “female disappearance syndrome”—the erasure of women living with HIV from conversations about the epidemic.

Charan Singh, They Called it Love, But Was it Love?

They Called it Love, But Was it Love? depicts scenes from the lives of kothis living in India. Reduced to a “risk group” by public health campaigns and misunderstood through Western notions of gender and sexuality, these protagonists have real lives and inhabit unique worlds with their own quests for fulfillment and love.

George Stanley Nsamba, Finding Purpose

Finding Purpose reflects on the experience of producing a film about the lives of teens born with HIV in Uganda and the pervasive stigma that surrounded the project.

Jorge Bordello is interested in the wrinkles between document and fiction, the family archive and the national history, the montage of the body and public life. He has a degree in International Relations from the Tecnológico de Monterrey (ITESM) and studied Library Sciences at the National Autonomous University of Mexico (UNAM). He was elected to study at the National Photo Library System and the Image Center at Mexico City, and has been a beneficiary of the Cultural Development and Co-Investment Program (FONCA 2011), Young Creators Grant (FONCA 2016), and the Municipal and Community Cultures Support Program (PACMyC 2015). His work has been a part of festivals such as ULTRAcinema, FICUNAM, The International Postporn Festival and Cinemaissí: Latinamerican Film Festival.

Jih-Fei Cheng is Assistant Professor of Feminist, Gender, and Sexuality Studies at Scripps College. He has been involved in HIV/AIDS social services, media production and curation, and queer and trans of color grassroots organizations in San Diego, Los Angeles, and New York City. He is completing his first book project, tentatively titled “Queer Code: HIV/AIDS and the History of Virology."

Gevi Dimitrakopoulou is a feminist visual artist and filmmaker based in Athens, Greece. Her films primarily focus on gender identity, sexuality, queerness and the political inequalities of minorities. She is a published media scholar writing and speaking on technology and culture. She holds degrees in economics, film studies, and digital media.

Las Indetectables is a Chilean band led by Sofía Devenir and Noelia Shalá. With their friends and collaborators Macarena Rodríguez and Osvaldo Guzmán, they address topics such as HIV/AIDS, hate crimes, the experiences of sex workers and travesti, and the contradictions that occur when marginalized subjects stage political interventions in the street or on public transit.

Lucía Egaña Rojas is a Chilean artist who currently lives in Barcelona. Her work problematizes the relationship between high and low culture, high-tech and low-fi, public and private space, and the relationship between the global north and south. She studied visual arts in Chile and completed a master's degree in creative documentary and a PhD in post-pornography in Spain. She is currently teaching at the Independent Studies Program of the Museum of Contemporary Art of Barcelona while developing two research projects and producing embroidery, videos, and performances.

Charan Singh lives and works in New Delhi and London. Singh’s art practice is informed by HIV/AIDS work and community activism in India. He is a candidate for a practice-led PhD at the Royal College of Art, London. In 2016, he earned a Magnum/Photo London award for his portrait series “Kothis, Hijras, Giriyas and Others,” which was featured in the 2017 Photoworks Annual. He was a 2017 resident at the Fire Island Artist Residency. His latest book and exhibition (with Sunil Gupta), “Delhi: Communities of Belonging” was published by The New Press 2016 and exhibited at SepiaEye, New York in 2017. A later iteration, “Dissent and Desire” was shown at the Contemporary Art Museum Houston, 2018 and also at the Kochi-Muziris Biennale in Kochi, India in 2018–19.

George Stanley Nsamba is a filmmaker, spoken word artist, and human rights activist. In 2013, he founded The Ghetto Film Project to mentor and train youth in socially-engaged film production. Nsamba's films Time Irreversible (2017), The Dummy Team (2016), Silent Depression (2015), and Crafts: The Value of Life (2015) have screened throughout Africa and the United States.