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Visual AIDS is proud to announce a new phase in the growth of our archive: the acquisition of manuscript collections that document the personal and creative lives of artists affected by HIV and AIDS, as well as broader AIDS cultural histories.

For three decades, our Artist Files have preserved images and biographical information for more than 550 underrecognized HIV-positive artists. This open, unadjudicated archive has served as a vital resource for researchers, curators, and community members committed to preserving and engaging with AIDS cultural history. Until now, most artists were represented by one or two folders of materials. 

With this new initiative, we are beginning to acquire larger manuscript collections—including journals, correspondence, photographs, exhibition records, and other personal papers—that offer deeper insight into individual lives and creative practices.

This effort responds to a pressing need in our community. More than 40 years into the AIDS crisis, the first generation of survivors, caretakers, and cultural stewards are aging. Families and loved ones are seeking a home for materials they’ve safeguarded for decades. At the same time, institutional archives face growing processing backlogs, diminishing capacity to accept new donations, and drastic funding cuts. As a community-based archive with a proven commitment to preserving marginalized histories, Visual AIDS fills a critical gap in the archival landscape, offering a meaningful home for collections that might otherwise be excluded or lost in institutional backlogs.

We are honored to announce the acquisition of new collections documenting the lives and legacies of artists Timothy Greathouse, Joseph Modica, David Nelson, and David Knudsvig, as well as a landmark collection of interviews with more than 300 LGBTQ artists conducted by David Hirsh, and materials from Philip Yenawine that document the origins of Visual AIDS and Day Without Art.

Visual AIDS will continue acquiring and processing archival collections on an ongoing basis and we aim to publish a collection development strategy in the coming year. Please note that we primarily collect personal papers—not paintings, sculptures, or other art objects—due to space and staff limitations. We welcome inquiries and are available to consult with those who would like advice about preserving or donating archival collections; please reach out to us at archive@visualaids.org.

Our archive has a longstanding commitment to public engagement. Our reading room is open to researchers of all kinds—including students, artists, curators, historians, and the chosen families of those represented in our holdings. We offer research support through our full-time Community Archivist and through programs like the Visual AIDS Research Fellowship, annual Research Symposium, and our online journal.

Archival Collections
 

Timothy Greathouse Collection

Philip Yenawine Collection

  • The Philip Yenawine Collection consists of materials relating to Philip Yenawine's work with Visual AIDS, particularly his role in the early years of Day Without Art. Materials span 1988-1995 and include correspondence, ephemera, meeting minutes and agendas, internal memos, and press releases. Some related Visual AIDS projects represented in the collection include Night Without Light, Electric Blanket, and the Red Ribbon Project.

    The finding aid for the collection if available here.
     

David Hirsh Tapes

  • The David Hirsh Tapes are a landmark collection of interviews with more than 300 LGBTQ artists and curators during the height of the AIDS crisis. The interviews were conducted while Hirsh was writing weekly columns on gay and lesbian art and actively co-founding the Visual AIDS Archive. Spanning over 40,000 minutes of audio and video, the collection provides an extensive record of queer cultural production and community during the AIDS crisis. 

    A finding aid for the collection will be available in late 2026.
     

Joseph Modica Collection

  • Joseph Modica (1946–2018) was a Staten Island-based photographer and visual artist who documented New York's downtown nightlife scene in the 1980s. The Joseph Modica Collection includes a large collection of his photographs, as well as personal papers, journals, correspondence, Modica’s commercial publishing work, and original drawings.

    A finding aid for the collection will be available in late 2025.
     

David Nelson & David Knudsvig Collection

  • The David Nelson & David Knudsvig Collection documents the artistic practices and personal lives of partners David Nelson (1960–2013) and David Knudsvig (1947–1993). Knudsvig worked in encaustic, wood, and assemblage, while Nelson created sculptures, drawings, and photograms on themes of natural history. The collection includes notebooks, correspondence, exhibition records, slides, maquettes, and audiovisual materials, preserved by Nelson’s surviving partner Barry Paddock. 

    A finding aid for the collection will be available in 2026.

Existing Collections

Visual AIDS Artist Files

Visual AIDS Institutional Records

  • The Visual AIDS Institutional Records collection consists of materials relating to the organizational history of Visual AIDS from 1989 to 2024. The bulk of Visual AIDS's institutional records were donated to NYU Fales Library and Special Collections in June 2017. The finding aid for that collection can be found here.

    The finding aid for the collection is available here.